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When will Vampire Knight season 3 come out Premiere comingRomeo and Juliet. It is hard to imagine a world without Shakespeare. Since their composition four hundred years ago, Shakespeares plays and poems have traveled the globe, inviting those who see and read his works to make them their own. Readers of the New Folger Editions are part of this ongoing process of taking up Shakespeare, finding our own thoughts and feelings in language that strikes us as old or unusual and, for that very reason, new. We still struggle to keep up with a writer who could think a mile a minute, whose words paint pictures that shift like clouds. These expertly edited texts are presented to the public as a resource for study, artistic adaptation, and enjoyment. By making the classic texts of the New Folger Editions available in electronic form as Folger Digital Texts, we place a trusted resource in the hands of anyone who wants them. The New Folger Editions of Shakespeares plays, which are the basis for the texts realized here in digital form, are special because of their origin. The Folger Shakespeare Library in Washington, DC, is the single greatest documentary source of Shakespeares works. An unparalleled collection of early modern books, manuscripts, and artwork connected to Shakespeare, the Folgers holdings have been consulted extensively in the preparation of these texts. The Editions also reflect the expertise gained through the regular performance of Shakespeares works in the Folgers Elizabethan Theater. I want to express my deep thanks to editors Barbara Mowat and Paul Werstine for creating these indispensable editions of Shakespeares works, which incorporate the best of textual scholarship with a richness of commentary that is both inspired and engaging. Readers who want to know more about Shakespeare and his plays can follow the paths these distinguished scholars have tread by visiting the Folger either in person or online, where a range of physical and digital resources exists to supplement the material in these texts. I commend to you these words, and hope that they inspire. Michael Witmore. Director, Folger Shakespeare Library. Until now, with the release of the Folger Digital Texts, readers in search of a free online text of Shakespeares plays had to be content primarily with using the Moby Text, which reproduces a late nineteenth century version of the plays. What is the differenceMany ordinary readers assume that there is a single text for the plays what Shakespeare wrote. But Shakespeares plays were not published the way modern novels or plays are published today as a single, authoritative text. In some cases, the plays have come down to us in multiple published versions, represented by various Quartos Qq and by the great collection put together by his colleagues in 1. First Folio F. There are, for example, three very different versions of Hamlet, two of King Lear, Henry V, Romeo and Juliet, and others. Editors choose which version to use as their base text, and then amend that text with words, lines or speech prefixes from the other versions that, in their judgment, make for a better or more accurate text. Other editorial decisions involve choices about whether an unfamiliar word could be understood in light of other writings of the period or whether it should be changed decisions about words that made it into Shakespeares text by accident through four hundred years of printings and misprinting and even decisions based on cultural preference and taste. When the Moby Text was created, for example, it was deemed improper and indecent for Miranda to chastise Caliban for having attempted to rape her. See The Tempest, 1. Abhorred slave,Which any print of goodness wilt not take,Being capable of all ill I pitied thee. All Shakespeare editors at the time took the speech away from her and gave it to her father, Prospero. The editors of the Moby Shakespeare produced their text long before scholars fully understood the proper grounds on which to make the thousands of decisions that Shakespeare editors face. The Folger Library Shakespeare Editions, on which the Folger Digital Texts depend, make this editorial process as nearly transparent as is possible, in contrast to older texts, like the Moby, which hide editorial interventions. The reader of the Folger Shakespeare knows where the text has been altered because editorial interventions are signaled by square brackets for example, from Othello If she in chains of magic were not bound, half square brackets for example, from Henry V With blood and sword and fire to win your right, or angle brackets for example, from Hamlet O farewell, honest soldier. Who hath relievedyou. At any point in the text, you can hover your cursor over a bracket for more information. Because the Folger Digital Texts are edited in accord with twenty first century knowledge about Shakespeares texts, the Folger here provides them to readers, scholars, teachers, actors, directors, and students, free of charge, confident of their quality as texts of the plays and pleased to be able to make this contribution to the study and enjoyment of Shakespeare. The prologue of Romeo and Juliet calls the title characters star crossed loversand the stars do seem to conspire against these young lovers. Romeo is a Montague, and Juliet a Capulet. Their families are enmeshed in a feud, but the moment they meetwhen Romeo and his friends attend a party at Juliets house in disguisethe two fall in love and quickly decide that they want to be married. A friar secretly marries them, hoping to end the feud. Romeo and his companions almost immediately encounter Juliets cousin Tybalt, who challenges Romeo. When Romeo refuses to fight, Romeos friend Mercutio accepts the challenge and is killed. Romeo then kills Tybalt and is banished. He spends that night with Juliet and then leaves for Mantua. Juliets father forces her into a marriage with Count Paris. To avoid this marriage, Juliet takes a potion, given her by the friar, that makes her appear dead. The friar will send Romeo word to be at her family tomb when she awakes. The plan goes awry, and Romeo learns instead that she is dead. In the tomb, Romeo kills himself. Juliet wakes, sees his body, and commits suicide. Their deaths appear finally to end the feud. Enter Chorus.  FTLN 0. Two households, both alike in dignity. FTLN 0. 00. 2 In fair Verona, where we lay our scene,FTLN 0. From ancient grudge break to new mutiny,FTLN 0. Where civil blood makes civil hands unclean. FTLN 0. 00. 55 From forth the fatal loins of these two foes. FTLN 0. 00. 6 A pair of star crossed lovers take their life FTLN 0. Whose misadventured piteous overthrows. FTLN 0. 00. 8 Doth with their death bury their parents strife. FTLN 0. 00. 9 The fearful passage of their death marked love. FTLN 0. 01. 01. 0 And the continuance of their parents rage,FTLN 0. Which, but their childrens end, naught could remove,FTLN 0. Is now the two hours traffic of our stage FTLN 0. The which, if you with patient ears attend,FTLN 0. What here shall miss, our toil shall strive to mend. Chorus exits. Enter Sampson and Gregory, with swords and bucklers,of the house of Capulet. SAMPSON FTLN 0. 01. Gregory, on my word well not carry coals. GREGORY FTLN 0. 01. No, for then we should be colliers. SAMPSON FTLN 0. 01. I mean, an we be in choler, well draw. GREGORY FTLN 0. 01. Ay, while you live, draw your neck out of. FTLN 0. 01. 95 collar. SAMPSON FTLN 0. 02. I strike quickly, being moved. GREGORY FTLN 0. 02. Download Berserk: The Golden Age Arc - The Egg Of The King Cartoon. But thou art not quickly moved to strike. SAMPSON FTLN 0. 02. A dog of the house of Montague moves me. GREGORY FTLN 0. 02. To move is to stir, and to be valiant is to. FTLN 0. 02. 41. 0 stand. Therefore if thou art moved thou runnst. FTLN 0. 02. 5 away. SAMPSON FTLN 0. 02. A dog of that house shall move me to stand. IFTLN 0. 02. 7 will take the wall of any man or maid of Montagues. GREGORY FTLN 0. 02. That shows thee a weak slave, for the weakest. FTLN 0. 02. 91. 5 goes to the wall. SAMPSON FTLN 0. 03. Cartoon Movies List Page 2. 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